Envisioning the Past: Archaeology an the ImageISBN: 978-1-4051-1150-8
Paperback
264 pages
January 2005, Wiley-Blackwell
This is a Print-on-Demand title. It will be printed specifically to fill your order. Please allow an additional 15-20 days delivery time. The book is not returnable.
Other Available Formats: Hardcover
|
List of Illustrations.
Notes on Contributors.
Introduction: The Image in Question: Stephanie Moser (University of Southampton) and Sam Smiles (University of Plymouth).
1 Romancing the Human: The Ideology of Envisioned Human Origins: Paul Privateer (Arizona State University).
2 “We Grew Up and Moved On”: Visitors to British Museums Consider Their “Cradle of Mankind”: Monique Scott (Yale University).
3 The American Time Machine: Indians and the Visualization of Ancient Europe: Stephanie Pratt (University of Plymouth).
4 “To Make the Dry Bones Live”: Amédée Forestier’s Glastonbury Lake Village: James E. Phillips (University of Southampton).
5 Unlearning the Images of Archaeology: Dana Arnold (University of Southampton).
6 Illustrating Ancient Rome, or the Ichnographia as Uchronia and other time warps in Piranesi’s Il Campo Marzio: Susan M. Dixon (University of Tulsa).
7 Thomas Guest and Paul Nash in Wiltshire: two episodes in the artistic approach to British antiquity: Sam Smiles (University of Plymouth).
8 A Different Way of Seeing? Toward a Visual Analysis of Archaeological Folklore: Darren Glazier (University of Southampton).
9 Photography and Archaeology: The Image as Object: Fred Bohrer (Hood College).
10 Wearing Juninho’s Shirt: Record and Negotiation in Excavation Photographs: Jonathan Bateman (University of Sheffield).
11 Video Killed Interpretative VR: Computer Visualisations on the TV Screen: Graeme P. Earl (University of Southampton).
12 The Real, the Virtually Real and the Hyperreal: The Role of VR in Archaeology: Mark Gillings (University of Leicester).
Index