Baudrillard: A Critical Reader

Introduction: Baudrillard in the Fin-de-Millennium: Douglas Kellner (University of Texas).

1. The System of Objects and the Commodification of Everyday Life: The Early Baudrillard: Mark Gottdiener (University of California).

2. The Commodification of Reality and the Reality of Commodification: Baudrillard, Debord, and Postmodern Theory: Steven Best (University of Texas).

3. Technology and Culture in Habermas and Baudrillard: Mark Poster (University of California).

4. Baudrillard, Marketing, and Tele-Communication: Kim Sawchuck.

5. Fashion and the Signification of Social Order: Efrat Tseelon (Leeds Metropolitan University).

6. Fatal Forms: Toward a (Neo)Formal Sociological Theory of Media Culture: Jonathan S. Epstein and Margaarete J. Epstein (Kent State University and University of North Carolina).

7. Symbolic Exchange in Hyperreality: Deborah Cook (University of Windsor, Canada).

8. Capitalism and the Code: A Critique of Baudrillard's Third Order Simulacrum: Sara Schoonmaker (Colgate University).

9. Simulation: The Highest Stage of Capitalism?: James Der Derian (University of Massachusetts).

10. Aesthetic Production and Cultural Politics: Baudrillard and Contemporary Art: Timothy W. Luke (Virginia Polytechnic Institute).

11. Baudrillard, Modernism, and Postmodernism: Nicholas Zurbrugg (Griffith University, Australia).

12. Baudrillard's Feminist Provocations: A. Keith Goshorn.

13. The Drama of Theory: Vengeful Objects and Wily Props: Gary Genosko (Goldsmiths College, University of London).

14. Baudrillard, Time and the End: William Bogard (Whitman College).

A Bibliography of the Works of Jean Baudrillard.