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Cultural Appropriation and the Arts

ISBN: 978-1-4443-3271-1
Paperback
192 pages
February 2010, Wiley-Blackwell
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Preface.  

Chapter One: What is Cultural Appropriation?

Art, Culture, and Appropriation.

Types of Cultural Appropriation.

What is a Culture?

Objections to Cultural Appropriation.

In Praise of Cultural Appropriation.  

Chapter Two: The Aesthetics of Cultural Appropriation:

The Aesthetic Handicap Thesis.

The Cultural Experience Argument.

Aesthetic Properties and Cultural Context.

Authenticity and Appropriation.

Authentic Appropriation.

Cultural Experience and Subject Appropriation.

Appropriation and the Authentic Expression of a Culture.  

Chapter Three: Cultural Appropriation as Theft:

Harm by Theft.

Possible Owners of Artworks.

Cultures and Inheritance.

Lost and Abandoned Property.

Cultural Property and Traditional Law.

Collective Knowledge and Collective Property.

Ownership of Land and Ownership of Art.

Property and Value to a Culture.

Cultures and Intellectual Property.

Some Conclusions about Ownership and Appropriation.

The Rescue Argument.  

Chapter Four: Cultural Appropriation as Assault:

Other Forms of Harm.

Cultural Appropriation and Harmful Misrepresentation.

Harm and Accurate Representation.

Cultural Appropriation and Economic Opportunity.

Cultural Appropriation and Assimilation.

Art, Insignia, and Cultural Identity.

Cultural Appropriation and Privacy.  

Chapter Five: Profound Offence and Cultural Appropriation:

Harm, Offence, and Profound Offence.

Examples of Offensive Cultural Appropriation.

The Problem and the Key to its Solution.

Social Value and Offensive Art.

Freedom of Expression.

The Sacred and the Offensive.

Time and Place Restrictions.

Toleration of Offensive Art.

Reasonable and Unreasonable Offence.

Conclusion: Responding to Cultural Appropriation.

Summing Up.

Supporting Minority Artists.

Envoy.

Bibliography of Works Cited and Consulted.

Index.

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