A Companion to Shakespeare's SonnetsISBN: 978-1-4443-3206-3
Paperback
534 pages
March 2010, Wiley-Blackwell
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Notes on Contributors viii
Acknowledgments xii
Introduction 1
PART I Sonnet Form and Sonnet Sequence 13
1 The Value of the Sonnets 15
Stephen Booth
2 Formal Pleasure in the Sonnets 27
Helen Vendler
3 The Incomplete Narrative of Shakespeare’s Sonnets
45
James Schiffer
4 Revolution in Shake-speares Sonnets 57
Margreta de Grazia
PART II Shakespeare and His Predecessors 71
5 The Refusal to be Judged in Petrarch and Shakespeare 73
Richard Strier
6 “Dressing old words new”? Re-evaluating the
“Delian Structure” 90
Heather Dubrow
7 Confounded by Winter: Speeding Time in Shakespeare’s
Sonnets 104
Dympna Callaghan
PART III Editorial Theory and Biographical Inquiry: Editing the Sonnets 119
8 Shake-speares Sonnets, Shakespeare’s Sonnets, and
Shakespearean Biography 121
Richard Dutton
9 Mr. Who He? 137
Stephen Orgel
10 Editing the Sonnets 145
Colin Burrow
11 William Empson and the Sonnets 163
Lars Engle
PART IV The Sonnets in Manuscript and Print 183
12 Shakespeare’s Sonnets and the Manuscript Circulation of
Texts in Early Modern England 185
Arthur F. Marotti
13 The Sonnets and Book History 204
Marcy L. North
PART V Models of Desire in the Sonnets 223
14 Shakespeare’s Love Objects 225
Douglas Trevor
15 Tender Distance: Latinity and Desire in Shakespeare’s
Sonnets 242
Bradin Cormack
16 Fickle Glass 261
Rayna Kalas
17 “Th’ expense of spirit in a waste of
shame”: Mapping the “Emotional Regime” of
Shakespeare’s Sonnets 277
Jyotsna G. Singh
PART VI Ideas of Darkness in the Sonnets 291
18 Rethinking Shakespeare’s Dark Lady 293
Ilona Bell
19 Flesh Colors and Shakespeare’s Sonnets 314
Elizabeth D. Harvey
PART VII Memory and Repetition in the Sonnets 329
20 Voicing the Young Man: Memory, Forgetting, and Subjectivity
in the Procreation Sonnets 331
Garrett A. Sullivan, Jr.
21 “Full character’d”: Competing Forms of
Memory in Shakespeare’s Sonnets 343
Amanda Watson
PART VIII The Sonnets in/and the Plays 361
22 Halting Sonnets: Poetry and Theater in Much Ado About Nothing
363
Patrick Cheney
23 Personal Identity and Vicarious Experience in
Shakespeare’s Sonnets 383
William Flesch
PART IX The Sonnets and A Lover’s Complaint 403
24 “Making the quadrangle round”: Alchemy’s
Protean Forms in Shakespeare’s sonnets and A Lover’s
Complaint 405
Margaret Healy
25 The Enigma of A Lover’s Complaint 426
Catherine Bates
Appendix: The 1609 Text of Shakespeare’s Sonnets and A Lover’s Complaint 441
Index 502