A Companion to Michael HanekeISBN: 978-1-4051-8800-5
Hardcover
656 pages
April 2010, Wiley-Blackwell
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Notes on Contributors viii
Acknowledgments xiv
Introduction: Haneke's Anachronism 1
Roy Grundmann
Part I Critical and Topical Approaches to Haneke's Cinema 51
1 Performative Self-Contradictions: Michael Haneke's Mind Games
53
Thomas Elsaesser
2 Five Tapes, Four Halls, Two Dreams: Vicissitudes of
Surveillant Narration in Michael Haneke's Caché
75
Thomas Y. Levin
3 Infectious Images: Haneke, Cameron, Egoyan, and the Dueling
Epistemologies of Video and Film 91
Vinzenz Hediger
4 Tracking Code Unknown 113
Tom Conley
5 Michael Haneke and the New Subjectivity: Architecture and Film
124
Peter Eisenman
6 Games Haneke Plays: Reality and Performance 130
Brigitte Peucker
7 Figures of Disgust 147
Christa Blümlinger
8 Without Music: On Caché 161
Michel Chion
9 Fighting the Melodramatic Condition: Haneke's Polemics
168
Jörg Metelmann
10 "Mourning for the Gods Who Have Died": The Role of Religion
in Michael Haneke's Glaciation Trilogy 187
Gregor Thuswaldner
Part II The Television Films 203
11 A Melancholy Labor of Love, or Film Adaptation as
Translation: Three Paths to the Lake 205
Fatima Naqvi
12 Michael Haneke and the Television Years: A Reading of
Lemmings 227
Peter Brunette
13 Variations on Themes: Spheres and Space in Haneke's
Variation 243
Monica Filimon and Fatima Naqvi
14 Projecting Desire, Rewriting Cinematic Memory: Gender and
German Reconstruction in Michael Haneke's Fraulein 263
Tobias Nagl
15 (Don't) Look Now: Hallucinatory Art History in Who Was
Edgar Allan? 279
Janelle Blankenship
16 Bureaucracy and Visual Style 301
Brian Price
Part III The German-Language Theatrical Features 321
17 Structures of Glaciation: Gaze, Perspective, and
Gestus in the Films of Michael Haneke 323
Georg Seeßlen
18 The Void at the Center of Things: Figures of Identity in
Michael Haneke's Glaciation Trilogy 337
Peter J. Schwartz
19 How to Do Things with Violences 354
Eugenie Brinkema
20 Between Adorno and Lyotard: Michael Haneke's Aesthetic of
Fragmentation 371
Roy Grundmann
21 Hollywood Endgames 420
Leland Monk
Part IV The French-Language Theatrical Features 439
22 Class Conflict and Urban Public Space: Haneke and Mass
Transit 441
Barton Byg
23 Multicultural Encounters in Haneke's French-Language Cinema
455
Alex Lykidis
24 Haneke's Secession: Perspectivism and Anti-Nihilism in
Code Unknown and Caché 477
Kevin L. Stoehr
25 The Unknown Piano Teacher 495
Charles Warren
26 Discordant Desires, Violent Refrains: La Pianiste (The
Piano Teacher) 511
Jean Ma
27 Civilization's Endless Shadow: Haneke's Time of the
Wolf 532
Evan Torner
28 The Intertextual and Discursive Origins of Terror in Michael
Haneke's Caché 551
T. Jefferson Kline
Part V Michael Haneke Speaks 563
29 Terror and Utopia of Form: Robert Bresson's Au hasard
Balthazar 565
Michael Haneke
30 Violence and the Media 575
Michael Haneke
31 The World That Is Known: An Interview with Michael Haneke
580
Christopher Sharrett
32 Unsentimental Education: An Interview with Michael Haneke
591
Roy Grundmann
Filmography 607
Index 619