Whither Quo Vadis?: Sienkiewicz's Novel in Film and Television

List of Illustrations ix

Acknowledgments x

1 Novel and Film 1

2 Adapting the Narrative 16

Sienkiewicz’s Novel: Adapting the Story 16

Focalizers, Judgments, and Petronius 22

Petronius as Focal Character 28

Seeing and Mapping Rome 42

3 Gender and Ethnicity 55

Marcus and Lygia 55

Petronius and Eunice 57

Pomponia 61

Gender Roles in Public and Private Life 63

Ethnicity and Gender Roles in the 1985 Version 70

Adaptations in the 2001 Version 80

4 Political Institutions, Political Subtexts 88

Political Implications of the Silent Versions 91

Fascists and Communists: The 1951 and 2001 Films 94

The Complex Allusions of the 1985 Miniseries 97

Foreign Policy in the Films 116

The Military in the 1951 Version 118

The Arrival of Galba 124

5 The Roman People 139

6 Religion and Religious Authority in Quo Vadis? 173

Paganism 173

Judaism 178

Christianity: Ritual, Theology, and Confl ict in Sienkiewicz’s Novel 185

Transmitting a Tradition: Sermons in Novel and Film 188

The Representation of the Scriptures 190

Radicals: Crispus 194

Mainstream Christianity: Peter and Paul 200

Conclusion 211

7 Conclusions 219

8 Exkursus: Chilo’s Mother 223

A Peculiarity of the German Translations of Quo Vadis? 223

Description of the Films 227

Synopsis of the Novel and the Film Versions of Quo Vadis 230

References 266

Index of Ancient Sources 275

Index of Personal Names 279

Index of Things and Places 285