The American Novel Now: Reading Contemporary American Fiction Since 1980ISBN: 978-1-4051-6757-4
Hardcover
248 pages
February 2010, Wiley-Blackwell
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"In this extremely accessible discussion, O'Donnell (Michigan State
Univ.) reveals his as an authoritative voice on novels from the
1980s to present. His selections are, by his own admission,
eclectic: he writes in the introduction that he "chose to discuss,
where appropriate, both widely read novels published by the
mainstream commercial presses and less visible, often experimental
work published by independent presses." He looks at work from more
than 70 authors, including central figures of the American literary
canon--Toni Morrison, Thomas Pynchon, Louise Erdrich, and Don
DeLillo, to name only a few. O'Donnell divides the book (and his
approach) into five distinctive parts, discussing, respectively,
work leading to the 1980s; realism and experimentation; identity,
as it pertains to character--gender, ethnicity, and so on;
historicity and "end times"; and social emergence within the novel.
All this leads to an intriguing "excursus that speculates on the
future of the novel." This is a comprehensive discussion of the
novel and present circumstances influencing it--an interesting
study on many levels." (CHOICE, December 2010)
—John T. Matthews, Boston University
"The American Novel Now provides an accessible introduction to the many strands of post-1980 American fiction." (TLS, June 2010)
"O'Donnell's authoritative organization of the field, capacious discussions of individual novels, and lucid prose will provide readers-from advanced students to the broad general audience for contemporary writing- with an engaging, judicious, and vastly well-informed survey of the American novel since 1980. In this invaluable new guide to the populous domain of contemporary US fiction O'Donnell brilliantly charts multiple tracks through hundreds of novels, identifying common aesthetic, social, and historical concerns through the period. Reflecting O'Donnell's expertise as one of the field’s leading specialists, this is a confident, evolved, and utterly reliable consideration of one of the liveliest eras for fiction in the nation's history. Readers will be grateful for it."—John T. Matthews, Boston University