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Sixteenth-Century Italian Art

Michael W. Cole (Editor)
ISBN: 978-1-4051-0840-9
Hardcover
564 pages
August 2006, ©2006, Wiley-Blackwell
List Price: US $164.95
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Acknowledgments.

Series Editor’s Preface.

Introduction: Michael W. Cole.

Part I: Pagan Mysteries.

Introduction.

1. Raphael’s Tomb: Tilmann Buddensieg.

2. St. Peter’s as Ruins: On some views by Heemskerck: Christof Thoenes.

3. “Virtue Reconciled with Pleasure,” from Pagan Mysteries in the Renaissance: Edgar Wind.

4. Love's Sweet Poison: A New Reading of Bronzino's London Allegory: Robert W. Gaston.

Part II: Nature and Artifice.

Introduction.

5. Science and the Poetic Impulse: Martin Kemp.

6. Mannerist Grottos in 16th-century Italy: Philippe Morel.

7. Imitation, Innovation, and Renovation in the Counter-Reformation: Landscapes all’antica in the Vatican Tower of the Winds: Nicola Courtright.

8. Landscape and Still-Life,” from Federico Borromeo and the Ambrosiana: Art Patronage and Reform in Seventeenth-Century Milan: Pamela Jones.

Part III: Figures and Bodies.

Introduction.

9. Preparing to Finish: Portraits by Pontormo and Bronzino around 1530: Elizabeth Cropper.

10. The Mistress in the Masterpiece: Nancy J. Vickers.

11. Michelangelo’s Florentine Pietà: The Missing Leg: Leo Steinberg.

12. Reclining Bodies: Figural Ornament in Renaissance Architecture: Alina Payne.

Part IV: The Artist.

Introduction.

13. The New Professionalism in the Renaissance: Catherine Wilkinson.

14. On Some Engravings by Giorgio Ghisi Commonly Called “Reproductive”: Michael Bury.

15. The Historian and technique: On the role of goldsmithery in Vasari’s Lives:.

Marco Collareta.

Part V: Reformations.

Introduction.

16. Michelangelo and Vittoria Colonna: Charles De Tolnay.

17. Gifts for Michelangelo and Vittoria Colonna: Alexander Nagel.

18. The Carracci and the Devout Style in Emilia: Charles Dempsey.

19. The Gesù in Light of Contemporary Church Design: James Ackerman.

Part VI: Theory and Practice.

Introduction.

20. Leonardo’s Color and Chiaroscuro: John Shearman.

21. The Subject of Savoldo's Magdalene: Mary Pardo.

22. Figure come fratelli: A Transformation of Symmetry in Italian Renaissance Painting: David Summers.

23. Raphael, Angelo Colocci, and the Genesis of the Architectural Orders: Ingrid D. Rowland.

Index.

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