Guitar For Dummies, 2nd EditionISBN: 978-0-7645-9904-0
Paperback
408 pages
October 2005
This title is out-of-print and not currently available for purchase from this site.
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Guitar For Dummies, 2nd Edition, CD Update
This CD is intended to play on a computer, in an audio CD player, or when downloaded to an MP3 player. Sometimes, though, the tracks play correctly only on a computer or when downloaded to an MP3 player and do not play correctly in an audio CD player.
If your CD is yellow, black, and green; then your CD plays correctly on a computer, in an audio CD player, and when downloaded to an MP3 player. You can ignore the rest of these instructions! | |
If your CD is yellow, black, and red; then your CD plays correctly on a computer and when downloaded to an MP3 player but does not play correctly in an audio CD player. Please read on. |
If your CD is yellow, black, and red like the above image, tracks play correctly in the order listed in the book when you play this CD on a computer or download the tracks to an MP3 player. However, when you play this CD in a CD player, the tracks are in reverse order from what?s noted in the book, with the exception of Track 1. Track 1, as listed in the book, corresponds to Track 1 when the CD is played in a CD player. However, the book?s Track 2 is actually Track 98 in a CD player; Track 3 is Track 97; and so on. When you play this CD in a CD player, use the following table to navigate to the track you want to hear.
As a shortcut, you can quickly find the CD track without using the table by subtracting the track number found in the book from 100. For example, Track 27 in the book is CD Track 73 (100 ? 27 = 73); the book?s Track 84 is CD Track 16 (100 ? 84 = 16); and so on. |
If the following table doesn?t answer your questions, please contact Wiley Technical Support at http://support.wiley.com or call 800-762-2974.
Track Number from Text | Actual Track Number When Played in a CD Player | Time | Figure Number from Text | Song Title/Description |
1 | 1 | n/a | Tuning Reference | |
2 | 98 | (0:00) | 4-2 | Chord progression using A family chords |
(0:16) | 4-4 | Chord progression using D family chords | ||
(0:43) | 4-6 | Chord progression using G family chords | ||
(1:10) | 4-8 | Chord progression using C family chords | ||
3 | 97 | n/a | “Kumbaya” | |
4 | 96 | n/a | “Swing Low, Sweet Chariot” | |
5 | 95 | n/a | “Auld Lang Syne” | |
6 | 94 | n/a | “Michael, Row the Boat Ashore” | |
7 | 93 | 5-1 | Simple melody | |
8 | 92 | n/a | “Little Brown Jug” | |
9 | 91 | n/a | “On Top of Old Smoky” | |
10 | 90 | n/a | “Swanee River (Old Folks at Home)” | |
11 | 89 | n/a | “Home on the Range” | |
12 | 88 | n/a | “All Through the Night” | |
13 | 87 | n/a | “Over the River and Through the Woods” | |
14 | 86 | n/a | “It's Raining, It's Pouring” | |
15 | 85 | n/a | “Oh, Susanna” | |
16 | 84 | 6-6 | A 12-bar blues progression in E | |
17 | 83 | (0:00) | 7-4a | 1-2-3-1 permutation exercise |
(0:10) | 7-4b | 1-3-2-4 permutation exercise | ||
(0:20) | 7-4c | 15-14-13 permutation exercise | ||
18 | 82 | (0:00) | 7-5 | C-major up-the-neck double-stop scale |
(0:11) | 7-6 | C-major across-the-neck double-stop scale | ||
19 | 81 | n/a | “Simple Gifts” | |
20 | 80 | n/a | “Turkey in the Straw” | |
21 | 79 | n/a | “Aura Lee” | |
22 | 78 | n/a | “The Streets of Laredo” | |
23 | 77 | (0:00) | 8-2 | Progression using E-based major barre chords |
(0:13) | 8-3 | Syncopated progression using E-based major barre chords | ||
(0:27) | 8-4 | Progression using major and minor E-based barre chords | ||
(0:41) | 8-5 | Progression using major and 7th E-based barre chords | ||
(0:54) | 8-6 | Progression using major and minor 7th E-based barre chords | ||
24 | 76 | 8-7 | Christmas song progression using E-based barre chords | |
25 | 75 | (0:00) | 8-11 | Progression using A-based major barre chords |
(0:12) | 8-13 | Progression using major and minor A-based barre chords | ||
(0:26) | 8-14 | Progression using major, minor, and dominant 7th A-based barre chords | ||
(0:42) | 8-15 | Progression using minor 7th barre A-based barre chords | ||
(0:55) | 8-16 | Progression using major and minor 7th A-based barre chords | ||
26 | 74 | 8-17 | Christmas song progression using A-based barre chords | |
27 | 73 | (0:00) | 8-20 | Power chord progression in D |
(0:14) | 8-21 | Heavy metal power chord progression | ||
28 | 72 | n/a | “We Wish You a Merry Christmas” | |
29 | 71 | n/a | “Power Play” | |
30 | 70 | (0:00) | 9-1a | Open string hammer-on |
(0:07) | 9-1b | Hammer-on from a fretted note | ||
(0:14) | 9-1c | Double hammer-on | ||
(0:20) | 9-1d | Double hammer-on using three notes | ||
(0:27) | 9-2a | Double-stop hammer-on from open strings | ||
(0:34) | 9-2b | Double-stop hammer-on from second to fourth fret | ||
(0:41) | 9-2c | Double double-stop hammer-on | ||
(0:48) | 9-3 | Hammer-on from nowhere | ||
31 | 69 | 9-4 | Single-note hammer-ons from open strings | |
32 | 68 | 9-5 | Strumming a chord while hammering one of the notes | |
33 | 67 | 9-6 | Single-note hammer-ons from fretted notes | |
34 | 66 | 9-7 | Double-stop hammer-ons & hammer-on from nowhere | |
35 | 65 | (0:00) | 9-8a | Open string pull-off |
(0:07) | 9-8b | Fretted note pull-off | ||
(0:13) | 9-8c | Open string double pull-off | ||
(0:20) | 9-8d | Fretted note double pull-off | ||
(0:27) | 9-9a | Double-stop pull-off to open strings | ||
(0:34) | 9-9b | Double stop pull-off from fretted notes | ||
(0:41) | 9-9c | Double double-stop pull-off | ||
36 | 64 | (0:00) | 9-10 | Single-note pull-offs to open strings |
(0:10) | 9-11 | Strumming a chord while pulling off one of the notes | ||
37 | 63 | (0:00) | 9-12a | Slide with second note not picked |
(0:07) | 9-12b | Slide with second note picked | ||
(0:12) | 9-13a | Ascending immediate slide | ||
(0:17) | 9-13b | Descending immediate slide | ||
38 | 62 | 9-14 | Chuck Berry-like slides | |
39 | 61 | 9-15 | Changing positions with slides | |
40 | 60 | (0:00) | 9-17a | Immediate bend |
(0:06) | 9-17b | Bend and release | ||
(0:13) | 9-17c | Prebend and release | ||
41 | 59 | 9-18 | 3rd-string bending in a rock 'n' roll progression | |
42 | 58 | 9-19 | 2nd-string bending in a lead lick | |
43 | 57 | 9-20 | Bend and release in a lead lick | |
44 | 56 | 9-21 | Bending in different directions | |
45 | 55 | 9-22 | Intricate bending lick | |
46 | 54 | 9-23 | Double-stop bend and release | |
47 | 53 | (0:00) | 9-24a | Narrow vibrato |
(0:10) | 9-24b | Wide vibrato | ||
48 | 52 | (0:00) | 9-25a | Left-hand muting |
(0:08) | 9-25b | Right-hand muting | ||
49 | 51 | 9-26 | Syncopation through muting | |
50 | 50 | 9-27 | Palm muting in a hard-rock riff | |
51 | 49 | 9-28 | Palm muting in a country riff | |
52 | 48 | n/a | “The Articulate Blues” | |
53 | 47 | 10-1 | Chuck Berry accompaniment riff | |
54 | 46 | 10-2 | 12-bar blues progression in A using double-stops | |
55 | 45 | 10-4 | Box I hammer-ons and pull-offs | |
56 | 44 | 10-5 | Bending in Box I | |
57 | 43 | 10-6 | Double-stop bend in Box I | |
58 | 42 | 10-7 | Box I solo | |
59 | 41 | 10-9 | Typical Box II lick | |
60 | 40 | 10-11 | Typical Box III lick | |
61 | 39 | 10-12 | 12-bar solo using Boxes I, II, and III | |
62 | 38 | (0:00) | 10-13 | Sus chord progression |
(0:15) | 10-14 | Add chord progression | ||
63 | 37 | 10-15 | Slash chord progression | |
64 | 36 | (0:00) | 10-16 | Drop-D tuning phrase |
(0:10) | 10-17 | Power chord riff in drop-D tuning | ||
65 | 35 | 10-18 | Typical phrase in open-D tuning | |
66 | 34 | 10-20 | Southern-rock lead-lick in A | |
67 | 33 | n/a | “Chuck's Duck” | |
68 | 32 | n/a | “Southern Hospitality” | |
69 | 31 | 11-2 | 12-bar blues accompaniment | |
70 | 30 | 11-3 | 12-bar blues with boogie-woogie riff | |
71 | 29 | (0:00) | 11-6 | Box IV riff with triplet feel |
(0:10) | 11-7 | Box V lick with slide to Box I | ||
72 | 28 | (0:00) | 11-9 | Box I blues lick |
(0:13) | 11-10 | Box II blues lick | ||
(0:23) | 11-11 | Box IV blues lick | ||
73 | 27 | (0:00) | 11-13 | Box I blues lick with major third |
(0:10) | 11-14 | Box I double-stop blues lick with major third | ||
74 | 26 | 11-15 | Riff showing typical blues phrasing | |
75 | 25 | (0:00) | 11-16a | Typical blues move |
(0:10) | 11-16b | Typical blues move | ||
(0:19) | 11-16c | Typical blues move | ||
(0:29) | 11-16d | Typical blues move | ||
76 | 24 | 11-18 | Steady bass notes with the E blues scale | |
77 | 23 | (0:00) | 11-19 | Repeated motive at the same pitch |
(0:11) | 11-20 | Repeated motive at a different pitch | ||
78 | 22 | (0:00) | 11-21 | Alternating between a lead lick and a bass groove |
(0:13) | 11-22 | Alternating between a lead lick and a bass lick | ||
(0:26) | 11-23 | Combining fretted notes and open strings | ||
79 | 21 | (0:00) | 11-24a | Blues turnaround 1 |
(0:13) | 11-24b | Blues turnaround 2 | ||
(0:26) | 11-24c | Blues turnaround 3 | ||
(0:39) | 11-24d | Blues turnaround 4 | ||
80 | 20 | n/a | “Chicago Shuffle” | |
81 | 19 | n/a | “Mississippi Mud” | |
82 | 18 | (0:00) | 12-3 | Em arpeggio |
(0:07) | 12-4 | Up-and-down Em arpeggio | ||
83 | 17 | (0:00) | 12-5 | Lullaby pattern |
(0:10) | 12-6 | Thumb-brush pattern | ||
84 | 16 | (0:00) | 12-7 | Thumb-brush-up pattern |
(0:09) | 12-8 | Carter style pattern | ||
85 | 15 | (0:00) | 12-9a | Travis style, Step 1 |
(0:08) | 12-9b | Travis style, Step 2 | ||
(0:15) | 12-9c | Travis style, Step 3 | ||
(0:23) | 12-9d | Travis style pinch | ||
(0:31) | 12-9e | Travis style roll | ||
86 | 14 | 12-11 | “Oh, Susanna” in Travis style | |
87 | 13 | 12-12 | Travis style with Open G tuning | |
88 | 12 | n/a | “House of the Rising Sun” | |
89 | 11 | n/a | “The Cruel War Is Raging” | |
90 | 10 | n/a | “Gospel Ship” | |
91 | 9 | n/a | “All My Trials” | |
92 | 8 | n/a | “Freight Train” | |
93 | 7 | (0:00) | 13-5 | Free stroke classical exercise |
(0:15) | 13-8 | Arpeggio classical exercise | ||
(0:47) | 13-9 | Contrapuntal classical exercise | ||
94 | 6 | n/a | “Romanza” | |
95 | 5 | n/a | “Bourrée in E minor” | |
96 | 4 | (0:00) | 14-2 | Typical “inside” chord moves |
(0:17) | 14-4 | Typical “outside” chord moves | ||
(0:40) | 14-6 | Faking a jazz chord-melody solo | ||
(0:53) | 14-7 | A melody dressed up with altered tones | ||
(1:18) | 14-8 | Approaching target notes from a fret above and below | ||
(1:45) | 14-9 | Playing a melody as arpeggiated chord tones | ||
97 | 3 | n/a | “Greensleeves” | |
98 | 2 | n/a | “Swing Thing” |