Crime, Culture and the MediaISBN: 978-0-7456-3466-1
Paperback
300 pages
September 2008, Polity
This is a Print-on-Demand title. It will be printed specifically to fill your order. Please allow an additional 10-15 days delivery time. The book is not returnable.
Other Available Formats: Hardcover
|
Times Higher Education
"I always feel that I am in safe hands with Eamonn Carrabine,
whose last book was a paradigm. His new book on crime, culture and
the media is no less assured and very ably weaves classic debates
about the media's effects, representations of crime and agencies of
the criminal justice system, news production, and moral panic with
Carrabine's personal and lively take on why our news is filled with
crime stories and how the media might impact on our view of crime
and criminals."
Howard Journal
"This book is not just another bite at the ‘crime and
media' cherry, instead it is a refreshing and sophisticated look at
this hotly contested area of debate within criminology and media
studies. Tackling this topic with undoubted finesse, Carrabine
adopts an interdisciplinary approach that draws upon a solid wealth
of existing literature from a variety of fields including fi lm
studies, sociology and criminology along with history and
psychology. The result is an accessible text that lays a foundation
of knowledge by tackling old and existing debates by updating them
with the latest research and providing a useful engagement with
pertinent material for the study of crime and media to students at
both undergraduate and postgraduate level."
Crime, Media, Culture
"Crime, Culture and the Media has the great virtue of
combining breadth and brevity. It covers a remarkable range of
perspectives and debates that should interest both the initiated
criminological scholar and general readers eager to learn more
about how crime has been covered across an array of media, past and
present ... a laudable effort and a great boon for faculty and
students interested in exploring culture, crime, and media in all
their overlapping complexities."
Contemporary Sociology
"Carrabine's book is, without doubt, an impressive achievement.
He simultaneously manages to keep one foot firmly in
criminology’s 'traditional' debates about crime and media
while casting those debates into question by drawing upon a rich
array of sociological, philosophical and psychoanalytic resources.
It is rare indeed that a book about 'crime and the media' gives
serious consideration to the ideas and insights drawn from the
likes of Aristotle, Todorov, Levi-Strauss, Levinas, Lacan, Deleuze
and Freud. That students (and indeed teachers and writers!) of
criminology might be drawn to engage with such intellectual
resources through an encounter with this book makes it doubly
valuable."
Theoretical Criminology
"Concise but comprehensive in its review of a vast literature,
it is well organized and well written, and it raises a number of
important issues and alarms that researchers and students of media
and crime should find compelling."
Cultural Studies
"This book brings to bear a sophisticated synthesis of cultural,
social and philosophical theories and empirical research in the
analysis of representations of crime in the mass media and popular
culture. It covers a wide range of issues, examining the impact of
media images of crime on fear and public sentiment, the history of
news and fictional crime narratives, and their production. It will
be a useful text for students, and also offers many penetrating
insights to practitioners and academics."
Robert Reiner, London School of Economics and Political
Science
"An informed and refreshing look again at the interface between
crime and the media. Carrabine's sociological focus on how crime
stories circulate in social life makes it an invaluable guide to
students and offers new insights to those who know the field
well."
Ian Loader, University of Oxford
"Carrabine gives us a thorough review of the scholarly
literature on the media and crime. If you seek a comprehensive
survey of British theoretical and empirical work on crime and the
media - one that draws on film and literary theory, history and
philosophy, as well as psychology and sociology - this is the
book."
Nicole Rafter, Northeastern University,
Massachusetts